horror movies 2020, pitiful, the ending of , quite frankly, suggests that Mallory has been possessed by the slippery witch. However, since witchcraft is so confusing, it needs further explanation. Witches have some spells that seem quite simple at first glance. However, on the other hand, it’s clear that her abilities are too simple or not exactly explained on screen.
This supernatural thriller follows Ben (John-Paul Howard), a troubled teenager, along with his father (Jamison Jones, true detective) to work at the local pier during summer vacation. He befriends co-worker and lover Mallory (Disney Channel’s Piper Curda) I did not do it), and the neighborhood kid Dillon (Blane Crocarell), whose family has been targeted by a witch. Dysfunctional families are a modern horror trend, and pitiful Admirably using metaphor, The Hag not only captures and eats children, but kills entire families in the process. When the witch confronts Ben’s neighbor Abby (Zara Mahler, Nightmare Cinema) and her family, he slowly learns of the creature he’s dealing with: a “dark mother” born from “roots, rocks, and trees” that seems to kill flowers and nearby trees. While viewers will never know the full explanation, it seems Ben has seen enough to stop the witch. After killing Ben’s neighbors, she began targeting his family, and later Mallory’s family. A simple horror plot, but still watchable pitiful It was a smash at the box office.
witch pitiful There is a girlfriend of Ben’s father (Azie Tesfai, virgin jane) captures Mallory’s sister (Ja’layah Washington) almost immediately after it ends with the neighbors, whom Mallory has forgotten about. Somehow, Ben manages to sort it all out and save Mallory’s sister, as well as Ben’s untold brother Nathan (Judah Abner-Paul), whom he’s also forgotten about. Ben’s brother hasn’t appeared in the film so far, and his sudden appearance could be seen as an attempt by the filmmakers to create a turning point. pitiful Nowhere needed. However, it works and really adds to the feeling that witches’ powers are so insidious that they transcend the boundaries of logic.
what happened in the tragic ending
pitifulThe Twist is another example of the modern horror genre protesting Hitchcock’s mishandling of female characters (a trend in the genre for decades). pitifulLater, Ben rescues Mallory and Nathan’s sister. The witch killed six people: a family of four, Ben’s father’s girlfriend, and a police officer. Ben bids Mallory goodbye and settles their love affair with one last kiss. Ben thinks everything is great until he realizes that the flowers Mallory gave him are plastic, which reminds him that the witch’s presence seems to kill the flowers. Later, Mallory took a group of children out to sea on the pier. The close-up photos show her innocent smile turning into a sinister grin.
Despite staying away from the traditional hysterical last-girl antics, Brett Pierce didn’t quite make it saw-Distorted horizontally. Undoubtedly, the filmmakers wanted to imply that the witch continued to live in Mallory, but that was just as baseless as the earlier appearance of his brother Ben. In fact, the entire timeline of the witch jumping from skin to skin is complicated. It seems like a pretty tough process when she’s living in her neighbor’s skin, but it seems much easier when she moves on to Ben and Mallory’s father’s girlfriend.
However, this tendency, while unfounded, is still valid. Pierce may not have made a truly impressive reveal, but he also avoids the chaos of M. Knight Shyamalan’s twist. As far as the narrative goes on that Hag is the destroyer of the family, Mallory is Hag’s perfect next owner. Mallory represents the possibility that Ben has a family (or lover), and her good qualities would be the obvious target for a twisted ending. The difference in the witch’s powers is what leads to the catastrophic revelation that the witch won’t give up her wicked ways so easily, no matter how confusing they may be.
Explanation of the witch’s magic
Audiences see the witch for the first time in the movie’s trailer. The witch looks like a rotting woman devouring a child, and a man appears to help her capture the nanny. This intro makes it clear that witches are targeting kids like Pennywise It, she devoured them mysteriously. Unfortunately, the intro doesn’t give viewers an idea of where the witch comes from, why she wants to capture and eat children, or how her powers work. The rest of the movie is also unclear. Witch powers are present throughout the film, and the main problem with that is that these powers aren’t explained or implied enough to fully understand them.
After the introduction, the witch’s powers are gradually revealed, starting with the witch imitating Abby (in the movie “Odd Neighbor”) luring her son into his lair, a tree hole. empty – this is the first power. The second power allows witches to possess items such as the souls in Ed and Lorraine Warren’s vault. She can magically hitchhike on dead animals and follow her victims home. The witch’s third power is in the form of darkness, often rendering her invisible and silent. She can also possess her victims and disguise them with their skin, which is why she is called the Slippery Witch in this witch movie. Perhaps the scariest thing is that she can make some people forget that her child victims ever existed. She can cause hypnotic amnesia in some people.
The witch doesn’t use her amnesia all the time. For example, she can make Ben forget about his own brother, but not the neighborhood kid (though still more than that). First 50 days‘A description of dementia). This is a prime example of her powers not being simply or accurately explained on screen. Her sixth power is equally contradictory: witches can control the minds of certain people and force them to obey her commands. However, despite controlling the minds of some, she has allowed her worst enemy, Ben, to retain her free will. It’s just not clear how this power works. Despite the contradictions and lack of information about the power of witches, pitiful Still an effective movie. The nature of the witch’s three main possessive abilities, hypnotic amnesia and mind control, is poorly portrayed, but not in a way that negates skepticism. pitiful is a perfect example of how a movie can manage concurrency well enough but not excellently enough.
Why should the poor explain more about the power of witches
The witch may have become a modern horror icon – and she still can, but only if there are any sequels pitiful Her powers are explained in more detail. Some monsters in horror movies, like Jason Voorhees or Leatherface, have become iconic because of their simplicity. The screenwriters just have to make them appear and slaughter to satisfy most audiences. others like samara ring, Babadook and Jason’s rival Freddy Krueger is notorious for the opposite reason. Their existence is complicated, possibly due to the specific nature to which a person is cursed by them (like watching Samara’s videos) or to well-defined abilities (like an invasion of the dream world of their own). Freddie).
The Ring: An Explanation of the Origin of Samara
witch pitiful Possessing terrifying powers comparable to many iconic supernatural monsters, the film doesn’t do a good job of explaining their inner logic. Freddy can invade dreams because he is a juvenile predator that often haunts the descendants of those who killed him. Samara manifests underwater and has TV-based powers due to childhood medical abuse (similar to Hawkins lab in Strange things) It was all filmed, and then she was drowned by her father in a well. All of these truly iconic horror villains possess complex powers, and the way their abilities work is closely related to their origins and back stories, from Candyman until scream of hell Cenobites, this is a central pillar of their attraction. witch pitiful Obviously, there’s a lot of variation in the range of abilities she displays, but the film doesn’t provide enough explanation for how they work or her motivations for using them to really strengthen her position. her taste as a memorable cinematic monster.