Ariana Grande's Albums Ranked: From the Most Mid to the Ones I Think Will Go Down as Classics

Ariana Grande certainly no bad The album, but there are several in their own league.

The founder of the pop star/REM beauty became famous in 2010 when she showed a red -haired ditz cat Valentine in the Nickelodeon series in the Hit Nickelodeon hit Victorious. Shortly after the show ended, she took her vocals once in a generation to a new level, launching a music career that produced six albums number 1, nine songs number 1, two Grammy Awards and records for breaking records. “Ariana Grande” has become the name of the household, synonymous with the perfect voice, a high ponytail of occasional incomprehensible lyrics.

Over the years, Grande has moved from the singer known primarily for hits to a full -fledged artist with complete authority over his sound and vision. The charts that follow her albums are simply undisputed, because the talent of Ariana Grande is undeniable.

With seven albums under her belt, each saw the singer growing her art in different ways, from inserting himself to key topics throughout the board or inserting a vulnerable side of herself.

As he releases the luxury of his last album Eternal sunsubtitle Lighter days before usHere are all her records ranked from “just fine” to a generation masterpiece.

‘My all’ cover.

7. My all (2014)

Certainly, there are timeless hits on My all -“Last time,” specifically-but as a whole, the body of work feels more like song compilation intended for breaking than a Mesla album. Individually, songs like “Bang Bang”, “Break Free” and “Be My Baby” are great for radio reproduction, but in the context of the album they don’t work much for me. It also feels extremely less personal than any other album, with more than half of plates filled with features.

The cover “Dangerous Woman”.

6. A dangerous woman (2016)

A dangerous woman It contains songs that would easily make a list of Grande’s best time, such as transcendent “into you” or vocal Somersalts title song. In the heart of her third album, a clear goal is: make a gnus, splashing pop perfection that determines her maturity. Easy to her loudest, most challenging singing album, but sound, is not as adventurous as her newer work. So, powerful? Of course. Dangerously? Not so much.

‘Position’ cover. Republic

5. Positions (2020)

Following Sweetener and Thanks in, next Twice the difficult question was. Inevitably, Positions He received adverse comparisons with his predecessors, and some considered too much safe and too similar to what she had done before. Despite the initial criticism of his sixth album, which was released in the midst of Pandemia Covid-19, the LP was well old. It makes a comfortable sound landscape that feels comfortable in your house – for now appropriate and now still welcome.

Trail by song, this may not be as dynamic as her second albums, but as the whole project, Positions It sets the mood, enters Grande’s perspective of love in all forms and – with a handful of songs – neighbors will yell “earthquake”.

‘Your truly’ cover. Republic

4. Your truly (2013)

Imagine the first song that played in your discography “Honeymoon Avenue”, a five -minute orchestral serenade that capsulates a vortex romance like no other. Testifies to quality Your trulyExtremely consistent and explosive debut for the then 20-year-old Grande.

Her first two singles, “Road” and “Baby and”, do not care about her future biggest hits catalog, while her sublime ballads are like “tattooed heart”, “Daydreamamine” and “is almost never enough” the purest demonstration of Grande’s natural ability to sing her face. Your truly He lives to her title and listens to as a letter signed by bright eyes.

Original cover ‘Eternal Sun’.

Republican records

3. Eternal sun (2024)

Four years from Positions – her longest interruption between the album ever – fans have almost stopped keeping hope for new music by afterwards EvilA two -year -old. But during the Sag-Aftra strike, she spent time in the studio to create her most intimate and more cohesive record to this day. Addressing media speculations about his personal life, as well as his past and present relationships, Grande releases listeners to his inner psyche and restlessness more explicitly than ever.

The album, drawing inspiration from Jim Carrey and Kate Winslet of the same name from 2004, is thematically based on fateful relationships: regardless of her attempts to interfere with fate, every relationship will be played exactly as it should, again and again. The media will go through hot and cold periods with her (“we can’t be friends”); The previous relationship was convicted of their different nature (“I don’t want to fall apart again”); She would always fall in love again (“Supernatural”).

‘Thanks, the following’ cover.

2. Thanks in, next (2019)

When Grande announced the title song Thanks in, next and the album less than a year after SweetenerShe grabbed Zeitgeist in her hands and everyone was attention because of her next move, musically and personally. The quality of music has aligned with his enormous commercial success, with Grande production, writing and performing an intense personal record during the most intense period of her life. It seems to arise your best work out of need – and Thanks in, next no exception.

For a better half of the 2010s, Grande was on his way to the superstar. WITH Thanks in, nextShe landed tightly to the top of the pop game, the ruling Queen Supreme with the sound of a trap defined in 2019. She was known to become the first artist to ask for the entire first three of the three Panel Hot 100 with “thank u, the following”, “7 rings” and “break up with your girlfriend, bored with me” (though the latter pastes All right landing on an otherwise flawless album).

‘Sweetener’ cover.

1. Sweetener (2018)

A year after a tragic terrorist attack at his concert in Manchester, Grande returned with a record that would redefine her career. Eclectic blend of smooth production Pharrell Williams and pop sensibility of Max Martin, Sweetener It sounded completely different from what Grande had announced earlier. “Rem” and “Better Off” portrayed the breathability of her voice in a new way, and even traditional “pop” cuts like “There are no tears left to cry” and “God is a woman” in their production.

Though much Sweetener It seems soaked in Sunshine, in the texts there is a sadness that imitates the album title – in the sense that the sweetener conceals its contents with an art similar to Dons Happy Mask Grande Dons on the album. Sweetener She is far from her most prominent record emotionally and sound, and as the years have passed, she has become one of her most significant in the context of her life.

Categories: Trends
Source: HIS Education