Kesha Gag Order Wikipedia, Review, Instagram, Songs, Age, Wiki, Bio

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Kesha Gag Order Wikipedia, Review, Instagram, Songs, Age, Wiki, Bio

Kesha Gag Order Wikipedia, Review, Instagram, Songs, Age, Wiki, Bio – Bring yourself back to 2009. Consider hefty statement belts, velour tracksuits (ew), and low-rise jeans. Ke$ha’s catchy smash “TiK ToK” is probably the song that stuck in your head that year. A strutting celebrity who launched the party and brushed her gnashers with Jack Daniel’s was born. After more than ten years, Kesha (she retired the dollar sign in 2014) isn’t drinking whisky anymore. The celebration is over.

Kesha Gag Order Wikipedia, Review, Instagram, Songs, Age, Wiki, BioKesha Gag Order Wikipedia, Review, Instagram, Songs, Age, Wiki, Bio

‘Gag Order’ review

The follow-up to 2020’s “High Road,” her fifth album, “Gag Order,” is her comeback; it is a profoundly contemplative piece of work far different from the glitter-smeared blockbusters her followers, the Animals, were raised on. The singer has been put through a lot over the past few years. She is still fighting producer Dr Luke in court, real name Lukasz Gottwald, whom she accused of sexual and emotional abuse.

She provided an explanation in the manifesto for her most recent work, saying, “I let my darkness see the light.” Listeners get an all-access pass to an emotional exorcism as Kesha does some serious soul-searching throughout the course of the album’s 11 tracks, which were produced by industry icon Rick Rubin. She muses on a spiritual awakening she had in the summer of 2020 in the hazy synth-splashed lead track “Eat the Acid”: “The universe said now’s your time/And told me everything’s alright.”

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Out-there journey from pop’s one-time wild child

‘Fine Line’ pulls no punches; the plinking piano and string arrangement create a deceptive air of tranquilly before a raging storm of scathing lyrics: I had been disguising my rage, but now that the doctors and solicitors have removed my tongue, the bitch is looking at me. It’s somewhat of a follow-up to the 2017 song “Howl at the Sky.” When she was singing, she prayed, “I’ll bring thunder, I’ll bring rain/Oh, when I’m finished, they won’t even know your name.”

There are hardly any hits that will trouble the charts. That wasn’t the goal this time around, according to Kesha. The closest approach to a genuine bop is “Only Love Can Save Us Now,” which features caustic lines riding over a throbbing beat that abruptly transitions into a Kumbaya-style chorus.

Risks are taken in music, but they aren’t always successful. The song “Take The Drama” is a turmoil of squelching bass that ends with Kesha singing like she’s chanting to be reborn as a house cat. The album ends on a high note with the ballad “Happy,” which features Kesha’s nicest voice to date and is brimming with hope and vulnerability.

In fact, the entire album is devoid of Autotune, which is unique and noticeable. Despite its name, “Gag Order” is the essence of an artist who has found their voice. It is probing, purging, and unapologetically personal.

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