Movies with no end tend to disappoint viewers because they spend two hours of their lives on a story with no real ending. But if done right, the ambiguous ending sparked all sorts of discussions on the drive home.
The Coen brothers are known for their ambiguous endings, such as Miller junction, serious, Barton Finkand most market segments buster scruggs song. Their most famous unknown ending is arguably their best picture winning the new Western masterpiece GrandfatherIn the end, Sheriff Bell was as lost and confused as the audience.
No Country For The Aged (2007)
Excellent Coens Adaptation of Cormac McCarthy Grandfather set as a tense cat-and-mouse thriller. Josh Brolin plays Llewellyn Moss, a hunter who accidentally finds a briefcase full of drug money, while Javier Bardem plays Anton Chigurh. The brutal killer who was sent to retrieve it.
In the end, Moss is killed offscreen—not by the killer throughout the film, but by some random criminal.
The Beginning (2010)
Fans Discussed Christopher Nolan’s Last Moments begin more than ten years. Most of the discussion revolves around whether or not Cobb was in the dream, but that doesn’t really matter.
The important thing is that Cobb walked away while the top was still spinning. He didn’t care if it was a dream or not. After all this, in Fischer’s head, he just wanted to spend time with his kids, even if they were just a subconscious reproduction of his kids.
driving (2011)
New Black Pearl via Nicolas Winding Refn driveRyan Gosling’s character is an unnamed getaway driver who accidentally participates in a fateful robbery and becomes the target of a ruthless criminal group.
While Ron Perlman’s gang boss character encounters a macabre end on the beach, the film’s final moments make the ending of the story ambiguous.
2001 Space Adventures (1968)
Stanley Kubrick’s Original Screenplay for the Sci-Fi Epic 2001: Space Adventures It ends with the revelation that the satellites around the Earth are nuclear weapons. Starchild will detonate the weapon, destroying all life on Earth.
But the director changed his mind because he didn’t want to make two films in a row that ended with Earth being destroyed by nuclear weapons (following his 1964 political satire masterpiece). Dr. Strangelove). Instead, he left it vague, and it became one of the most iconic ambiguous endings in cinematic history. Each viewer can interpret the ending in their own way.
French Complex (1971)
Gene Hackman Starring in William Friedkin’s Classic Crime Thriller French connection As the iron-clad cop Popeye Doyle, he relentlessly hunts down French drug smuggler Alain Charnier on the streets of New York City.
In the film’s final hazy moments, Doyle chases Charnier offscreen before hearing a gunshot. According to the business card, Charnier was never found.
That (1982)
An alien threat has invaded John Carpenter’s Arctic research outpost problem Can be transformed into any form, including a live simulation of any scientist working at the facility.
Towards the end of the film, it’s unclear whether they managed to defeat the monster or if they were actually themselves and one of them wasn’t an alien in disguise.
Inside Luwin Davis (2013)
Another attempt by the Coen brothers, inside luwin davis Not much of a plot. It’s like a series of details taken from a folk singer’s life as he travels through ’60s America, jumping from one gig to another. Oscar Isaac’s incredible performance sets the stage for the entire film.
In the final scene, Bob Dylan walks onto the stage under the gas lights, destined to become the kind of star Llewyn misses, while Llewyn continues to glide through life.
Chinese Zodiac (2007)
In this case, the film’s failure to deliver an ending could be blamed on the failure to provide a real-life ending. david fincher can’t finish chinese zodiac With the killer revealed, the Zodiac was never caught or identified.
It’s fitting for Fincher to take on an obscure true-crime story, as his career has proven him to be a master of ambiguous endings: se7en, boxing club, lost lover.
Shine (1980)
Few films can be read quite differently from those of Stanley Kubrick shineIts on-screen horror is read as a metaphor for alcoholism, child abuse, CIA mind control and the Holocaust, as well as a confession that the moon landings were fake .
In the end, Wendy and Danny escape from the murderous ax-wielding patriarch, but the final shot is unclear, making it unclear exactly what happened during the hunt.
Rashomon (1950)
Kurosawa’s Masterpiece Rashomon It revolves around the murder of a samurai and the sexual assault of his wife. The robber responsible, the samurai’s wife, the samurai himself speaking from outside the grave through a medium and the woodcutter who witnessed the incident all give conflicting accounts of the same thing. story.
With all four of them trying their best through a false version of the story, Kurosawa said truth is subjective. There is no “right” answer. Rashomon – it can be explained.