famous Warden Writer Alan Moore is no stranger to condemning superheroes, but in an upcoming interview rant screenhe has raised his bar even in his most sweeping critique, claiming that the superhero industry’s overall impact on culture is like an addiction to destruction. Talking about his latest work, a book titled color lightMoore goes surprisingly deep with his distaste for the superhero concept itself, comparing the industry to a similar approach to drug dealers, and noting that this may be partly responsible for the rise of Anglo-American fascist ideology in recent years.
In our interview, Moore analyzed his own impact on the industry, saying that after he wrote Warden – A work many critics have called the best-constructed and most influential story in media history – The industry believes that the future of superheroes lies in “These very dark, sad characters in a post-apocalyptic setting“Moore insists”Someone once said that “comics aren’t just for kids” and they seem to understand that to mean that manga isn’t meant for kids at all.‘, while the market turns to manga creation”Purely for the addicted adults who formed their readers in the 60’s, 70’s, 80’s, 90’s.” Moore continued:
I came to find sinister superheroes for a number of reasons. …I don’t think people are addicted to this stuff, they don’t seem to be happy with the shot they get, but that’s a common complaint among addicts, you know? …there’s a kind of diminishing return, especially if the thing itself isn’t as good as it used to be
Moore compares superheroes to video games crush candyargue that they are colored, but have no substance – “Match colors and play chess,” real “Addiction” How to build superhero aesthetic elements. However, Moore accused the modern superhero narrative of not only being hollow but also culturally harmful. He went on to say that the influence of superheroes has manifested in increasingly dangerous ways throughout the culture, spreading the idea of big problems that can simply be remedied through the intervention of a person with superpowers. Moore noted that characters including Elon Musk and Donald Trump have advertised themselves as real-life superheroes and “Desperate for a quick fix Partially responsible for the rise of surrogacy in America. Moore says:
When you actually play a role in people’s political thinking, you get something like QAnon. You have a completely fictional, fictional threat that we can only rescue through a fictional, completely fictional hero. When you get the idea that third-rate superhero comics are really allowed to rule consensus reality and we all have to live in that time, you get things like the 6th May Invasion of the Capitol. 1, you know?
Moore’s superhero is a monster
Regardless of how fans feel about Moore’s remarks, it’s hard to deny the influence of superhero media on modern culture, as series like the MCU have become cultural travesty. While one of the men believed to be responsible for advocating comic realism lamented how comic books have affected real life, this may seem ironic at first glance, Warden always reflect what a real superhero looks like “It’s horrible and absurd.” The crux of the story is that Ozymandias unleashes a cliché super-criminal plan to trick the world into uniting, which is both a gruesome act and unlikely to last long.
After a career that has redefined superheroes in the public imagination and influenced the creation of comic books to this day, Moore’s remarks cannot be ignored, especially when presented. in his typical poignant style. rant screen Full interview with Alan Moore, coming soon.